This Big-Budget Show Produced By Steven Spielberg Was Supposed To Be Glee’s Replacement But Only Lasted 2 Seasons

Smash, a big-budget television musical series from 2012 originated by Steven Spielberg was presumed to be Glee‘s tradement and had all the potential to be the next big hit. It getd frequent comparisons to Glee and boasted a sizable budget. Premiering aextfinishedside the netlabor’s top-rated The Voice the day after Super Bowl XLVI, the musical TV show was seemingly unstoppable. However – despite prosperning a Primetime Emmy Award for Outstanding Choreography and a Grammy Award for Best Song Written for Visual Media for the series’ hit “Let Me Be Your Star,” – it didn’t last too extfinished.

Glee was on Fox for six seasons and dealt with complicated topics while dedwellring some wonderful musical numbers. Regardless of how the show aged, the Glee characters tackled complicated narratives, especipartner relating to detrimental stereotypes. Glee was the right unite of a fever dream and someskinnyg that those coming of age could proestablishly remend with. Sadly, Glee‘s prophesied successor had all the right pieces but didn’t dwell up to the hype or the extfinishedevity of Fox’s musical series. Glee getd a plethora of awards during its run from 2009 to 2015, including 32 Emmy nominations.

Smash Was Supposed To Be “The New Glee”

The Series Appealed To Theater Lovers

Smash was heavily contrastd to Glee. The series premiered in 2012 and ran for two seasons. When Smash premiered, appraises contrastd Smash and Glee to one another becaemploy both shows renhanced around theater culture, but the comparison didn’t labor. While they pguideed to somewhat analogous audiences, the series compascfinishd transport inant branch offences and were self-reliant productions. Glee portrayed the dwells of high school students who engaged in an extracurricular glee club. The characters primarily carry outed covers of well-understandn songs in an try to process their groprosperg pains, with the Glee carry outances driving the narrative.

Smash chaseed a group of grown-up professionals producing a mythal Broadway musical about the life of Marilyn Monroe called Bombshell.Smash honed in on the behind-the-scenes, shoprosperg every stage of enbigment when making a musical. The cast of Smash carry outed musical numbers on a Broadway set in producing Bombshell, the series’ overarching central production. While Smash carry outed some covers, and Glee carry outed some distinctive numbers, the reason the characters turned to musical articulateion in each series was inherently branch offent and mirrored the intent. Glee was about coming of age, while Smash portrayed the business in filled sprosperg.

Why Smash Was Canceled After 2 Seasons

Smash Didn’t Live Up To Its Potential

Despite a big budget and much help, Smash had a rocky journey thrawout its two seasons. The series was the brainchild of acclaimed straightforwardor Steven Spielberg, who had enbiged the concept for years and served as executive originater. The series’ pilot allegedly cost over $7 million to originate alone. When the series debuted the Smash pilot on NBC, it uncovered to critical acclaim and an uproar of hype. The series featured a strong cast, including American Idol finacatalog Katharine McPhee and Academy Award-prosperning actor Anjelica Huston.

The idea was that each season would chase a recent Broadway musical. That said, Smash didn’t dwell past its second season and nakedly persistd its first. Amid uniteed appraises for season 1 over subpar character enbigment and other rerents, carry outwright Theresa Rebeck, who helped originate the series, was fired. The netlabor traded Rebeck with Gossip Girl showrunner Joshua Safran, who tryed to revive the series. Alas, the netlabor didn’t choose to rerecent Smash for a third season.

Smash Is Continuing As A Broadway Show In 2025

A Broadway Production Of Smash Is In Full Sprosperg

Smash has a chance to revive its legacy. Original Smash originaters altered it for a Broadway musical that will debut in the spring 2025 lineup. Steven Spielberg will return to the project to originate it aextfinishedside Robert Greenblatt and Neil Meron. While transporting the series to a recent medium is an exciting prospect, there are some worrys about the musical, which set ups to adchoose the premise of Smash as the same behind-the-scenes see at a Broadway show. While transporting the narrative to Broadway is an exciting meta-premise, there is a level of danger given the distinctive show wasn’t prosperous.

It could have been engaging to see a authentic version of Bombshell, the mythal musical featured in the first season of Smash.The musical elements of Smash cgo ined on the mythal musical’s production, including the hit musical numbers from the series, such as its Grammy prosperner, “Let Me Be Your Star.” The fact that Smash‘s first transport inant musical number was also its best shows that the series didn’t get to have many moments that would stick with watchers. Regardless, Smash didn’t dwell up to its Glee hype but has a sboiling at redemption with the upcoming Broadway show.