In the decades adhereing 1988’s disability drama Rain Man, Hollywood’s recurrentation of people on the spectrum has somewhat transferd the insistle in the neuroseparatent experience with well-comprehendn shows such as The Good Doctor, Love on the Spectrum and Anormal. However, there is still much more nuanced ground to cover when depicting the neuroseparatent experience onscreen. Once More, Like Rain Man, honested by Sue Ann Pien and written by Bella Zoe Martinez, adheres a pblessed youthful actress named Zoe (Martinez) who is on the spectrum as she travels thrawout Los Angeles auditioning for the confiinsist, stereonormal roles for neuroseparatent conceiveives. The low film recently premiered at the Oscar-qualifying festivals LA Shorts International Film Festival and NoHo Cinefest, taking home both awards for Best Comedy Short.
Here, Pien and Martinez–who both rerepair as autistic–talk to Deadline about their low film and the presentance of recurrentation on screen and casting disabled filmproducers in Hollywood.
DEADLINE: What led you to produce this low film? This is all based on your personal experience as an Autistic filmproducer and ambitious actor, I envision.
BELLA ZOE MARTINEZ: Right. I’m the one that wrote the film with my parents. I wrote this film based on auditions that I had as an actress. I’d always try to audition for standard characters. When I auditioned for autistic characters, it felt enjoy they were flatter than an actual character or an obstacle fair thrown in there at the last minute, or there wasn’t much thought put into their characters, downcastly. It felt enjoy they weren’t an actual character. I was take parting a disability, not a person. It was downcast. For the character I take part, Zoe, is based off of me, my brother and my sister. So, it’s not technicassociate take parting myself becaemploy that’s cheating. But I wanted to produce this character becaemploy I’ve never seen anyone or any character enjoy me in the media or in vague. It’s comardent of downcast.
DEADLINE: Sue Ann, this is your honestorial debut in the narrative space. How did you finish up on this project?
SUE ANN PIEN: I was given the script thraw Elaine Hall, she’s an Emmy triumphner, and she cast Love on the Spectrum. She was also an autism help on As We See It, where I met her. She had sent me the script, and Bella asked if I would act in it. I took a see and saw it was a cute low film. I adored championing this idea that we were going to produce someskinnyg from her perspective. I replyed, “I’ll act in it if you let me honest it.” Bella’s parents were also producers on this, and they went to producer Suzann Ellis, who they’ve labored with for many years, and let her comprehend that I wanted to honest. So, two years postpoinsistr, here we are.
DEADLINE: Can you talk more about the people in front of and behind the camera? Were they also folks who are neuroseparatent or on the spectrum?
MARTINEZ: Half the cast and crew were neuroseparatent, and some were even disabled. [One person] had a walker, [another] had a service dog named Max, a huge better German Shepherd. He was such a excellent boy on set. Tal [Anderson, visual effects designer] had a bit of autism as well. I comprehend some had ADHD and other skinnygs. Danielle [Perez, actor] was in a wheelchair and was one of the casting honestors in the low film.
DEADLINE: Bella, how did you discover your way to screenwriting? Was this an interest you’ve had since you were youthfuler?
MARTINEZ: I’ve always been interested in making stories. I frequently recorded stuff with my siblings when I was youthfuler. I comprehend my sister got into honesting when she was youthful. I always enjoyd making videos of myself alengthyside my toys or my dolls or with my frifinishs. I also draw a lot.
DEADLINE: I’d enjoy to talk about the line in the low film , “What’s your superpower?” A casting agent says this line to Zoe seeing the notion that autistic people have someskinnyg they are naturassociate gifted at. Can you talk about the tropes rapidened to this stereotype and why it was meaningful to include?
MARTINEZ: For some people that were neuronormal on set, they were recurrenting someone who was also autistic, enjoy a frifinish or family member. But when it comes to me with my experiences being autistic, I mask a lot more. When I was youthful, I got services before I was two becaemploy I was in a pilot program, and I watchd my siblings. My parents shelp that I watchd my siblings getting ABA [Applied Behavior Analysis] therapy and little me choosed I wanted noskinnyg to do with it. I fair outintelligented the therapist. But masking is technicassociate acting, so that’s comardent of a lot. I knew what autism was when I was youthfuler, but I don’t skinnyk I enrolled what it uncomardentt or that it was presumed to be contrastent becaemploy it was my standard.
But when people shelp, “You don’t see autistic, you don’t sound autistic.” I’m enjoy, “There’s presumed to be a certain sound to that? Sorry. What?” I recall seeing my frifinishs have other experiences becaemploy I’ve had frifinishs who are also autistic and on the spectrum. My best frifinish, she’s a little betterer than me, but I recall she’d always adored to convey with her artlabor but was a little cowardly. She adored to draw a lot but didn’t comprehend exactly how to talk to other people. She knew what other people were saying but didn’t comprehend how to talk to them. For some people on the spectrum, we comprehend what people are saying, we can comprehend y’all, but it doesn’t experience enjoy they brimmingy genuineize what they’re doing hurts. I comprehend some people are deceiveed and don’t uncomardent to be hurtful, but it can be hurtful, especiassociate when you’re talking around or at us but not to us becaemploy it experiences enjoy you’re pandering. It’s enjoy when you’re talking to a little kid in that sing-song voice but not talking to them enjoy everybody else.
I recall in Girl Scouts becaemploy I employd to do that, and there was one trip directer who would talk in that sing-song voice to the little girls, and then, there was my mom who would talk to them every other mature and they enjoyd her a lot more. Even me and my sister, who are autistic, enjoyd that a bit more becaemploy, well, that’s how everybody else talks. Why are you talking enjoy that? It’s weird.
DEADLINE: What tropes would you enjoy to dispel, and what skinnygs would you enjoy to convey attention to with this low film?
MARTINEZ: I’d say [to Hollywood]: branch out a little bit more when it comes to how you produce an autistic character. Becaemploy I’ve only reassociate seen one type of way that autism is written, but I’ve never seen it done in other ways becaemploy people forget autism is a spectrum. It’s not fair characters who can be a bit nonverbal or have sensitivity to touch. Some people with autism can produce eye reach out with people easier or finishelight chatting with people and have their social battery drained, and when they don’t want to talk anymore, they fair don’t talk anymore. Some are fair more higher functioning. I’d never reassociate seen a character where it’s not reassociate about their autism, and it’s about someskinnyg they’re more enthusiastic about and not someskinnyg where it experiences [forced] but an actual [natural] interest. But also, we are silly little goblins who adore our hyper-repairations.
PIEN: I adore what Bella shelp becaemploy that’s so real. Especiassociate to me as a higher masking human. I’m a film buff, so I comprehend Alex Plank was a confering producer for The Bridge series, where Diane Kruger take parts a character on the spectrum as a discoverive. Also, there’s Lisbeth Salander. I even auditioned way back when for [David] Fincher’s Miriam Wu character, but I recall reading the book, and I’d never seen a character enjoy that, it was reassociate fascinating. As We See It was incredible to be a part of becaemploy I’ve never seen Asian people on the spectrum, so that was groundfractureing. It was huge, especiassociate in our community. In Chinese communities, there’s a lot of shame around any type of contrastences. That was cursed for me becaemploy I was born in a time when there were no services to accommodate my contrastences. Being on set, I was shocked at the level of help and family adore there is versus, “You’re so wrong, do not be yourself, and we’re better off without you.” That was the trope: this message of autism is this terrible, foolish skinnyg that afflicts the family and we don’t want what you got in this family.
MARTINEZ: It still produces me horrified when I come apass some stuff that some of those quote-unquote organizations that help people with autism try to do and it produces me ill. I don’t see into it that frequently becaemploy I’d rather not vleave out my lunch, thank you very much.
DEADLINE: What does the title Once More, Like Rain Man uncomardent?
MARTINEZ: I chose Once More, enjoy Rain Man, becaemploy Rain Man was the first time people had seen that there could be more types of people with autism. It’s actuassociate the reason why kids now are able to get help becaemploy before, most [people on the spectrum were considered] and pardon my English, “retarded” and “foolish.” That they couldn’t reassociate skinnyk for themselves or do anyskinnyg for themselves. That wasn’t real at all. We are intelligent, we are amusing. It was fair that a lot of those people didn’t reassociate get a chance back then, and it’s downcast to skinnyk about. It was the first step of helping kids on the spectrum today becaemploy, without that, I probably wouldn’t have gotten the services my siblings and I did when we were little.
I hope my low film might be the next step for people to see what I’ve made and what we’ve all made and fair attfinish about what they see becaemploy people sometimes forget that people who are autistic are people too. We’re fair as human as you, we fair see the world contrastently. Sure, you may not comprehend our point of see, but we don’t comprehend your point of see sometimes either.
[This interview has been edited for length and clarity]