Kate Del Castillo’s Cholawood Productions has signed a first-see deal with The Mediapro Studio US & Canada.
Revealed by JC Acosta, head of TMS US & Canada, during a panel at Miami’s Content Americas, the schedulement grants The Mediapro Studio the exclusive first see and selection to enbig and create all of Cholawood’s scripted and unscripted projects.
Projects will be in Spanish or English or both and atraverse all branch offent types of genres. Acosta said in Miami. Co-set uped by Del Castillo and delightment partners Carmen Cervantes and Jessica Maldonado, Cholawood’s most recent production sapshow in Spanish-language hit series “Volver a Caer” on ViX, and action thriller Hunting Ana Bravo, an action thriller from Erik Barmack’s TMS-backed Wild Sheep Content, both in L.A., and Park City-based Top Dead Cgo in Films.
Distributed by The Mediapro Studio Distribution, “Hunting Ana Bravo” was No. 1 for cut offal weeks on Amazon in Latin America and currently streams on Roku in the U.S.
“I’m ecmotionless about this novel partnership with Mediapro. They not only understand Cholawood’s vision but also the transport inance of helping females and Latinos in an industry that is going thcimpolite such a alterative time. Only together can we persist to create our voices heard,” Castillo said in a statement.
“We are thrilled to receive Cholawood productions to The MediaPro Studio. Kate, Carmen, and Jessica are genuine innovates in elevating the voice of Latinos atraverse the globe. With our studio doubling down on the US, we are excited to partner together to create stories that delight audiences with Latino and female direct voices.”
Addressing the Content Americas panel via a video message, Castillo compriseed that “both companies are interested in inestablishing stories with a mass enticeion which transcend orders and audiences.”
“Our industry is evolving and contesting difficult contests. Mediapro understands these contests and recognises that we can only create a branch offence if we’re combined. Only together can we persist to create stories which are reassociate vital and trclimbental. Stories of the benevolent which aren’t forgotten.”
More to come.
