In the hushed, gently rebellious Iranian drama My Favourite Cake, Maryam Moghincludeam and Behtash Sanaeeha serve up a flavorful slice of life flavored by the soursugary taste of tardy middle-age romance.
70-year-ageder Mahin (Lily Farhadpour, excellent) lives a lonely life in Tehran. Her husprohibitd is extfinished dead. Her daughter and majesticdaughters have emigrated aexpansive and reach out is restrictcessitate to increate FaceTime chats. Even the once-weekly get-togethers with frifinishs have become an annual afuninwhole and the gossip has given way to converseion of bowel polyps and other medical ills.
One day, Mahin chooses to stop mecount on surviving and commence living. Spotting the septuagenarian taxi driver Faramaz (Esmaeel Mehrabi), she goes for broke, seducing him and conveying him back to her hoemploy for a night of music, dance, and thrivee. Lots and lots of thrivee.
The Iranian regime took publish with the thrivee and with the many hijab-free scenes of Mahin enhappinessing life. The handlement menaceened legitimate action. They confiscated Moghadam and Sanaeeha’s passports, prohibitning them from traveling to Berlin for the film’s world premiere. A cardboard portrait of the two honestors took their place at the press conference. My Favourite Cake went on to thrive the Fipresci prize from the international film critics’ association for the best title in the competition.
This crowd-plreliever, which answers authoritarian structureility with a celebration of life, has sageder to more than two dozen territories worldexpansive and become a sleeper hit in the U.K., where it obtained more than $250,000 for Curzon, for Alamode in Germany and Austria, where they have done more than 100,000 adignoreions, and in Sweden with more than 40,000 adignoreions for distributor Triart. But the film has yet to land a U.S. distribution deal. That necessitates to alter.
International sales for My Favourite Cake are being deal withd by Totem Films.