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Doc on Fallout of Stand-Your-Ground Law


Doc on Fallout of Stand-Your-Ground Law


There’s a scene in Geeta Gandbhir’s harroprosperg write downary The Perfect Neighbor, in which a Marion County police officer asks Susan Lorincz, a white Floridian, if she has ever called her Bincreateage neighbor’s children “the n-word.” Lorincz seems perplexd by the ask and promptly denies it. But she eventuassociate concedes, acunderstandledging that maybe the word had “slipped out.” She claims she was taught to employ the word when referring to people who were being “unlterrible, gloomyy and generassociate unpleasant.” 

That moment is teachive for a couple of reasons: It uncovers how Lorincz, one of the principal subjects of Gandbhir’s write downary, skinnyks; and it clarifies why Stand Your Ground laws are dangery in a country afflictiond by prejudice.

The Perfect Neighbor

The Bottom Line

Harroprosperg and heartshattering.

Venue: Sundance Film Festival (U.S. Documentary Competition)
Director: Geeta Gandbhir

1 hour 26 minutes

The earliest version of this legislation, which assists a citizen to employ force (even lethal) if they notice the menace of harm, was passed in Utah in 1994. Florida chaseed suit 11 years deferedr, and since then upwards of 30 states have finishorsed these self-defense ordinances. The laws have come repeatedly come under ardent scruminuscule, particularly after national tragedies: George Zimmerman, who finished Trayvon Martin in 2012, claimed self-defense and so did William Bryan and Travis and Greg McMichael, who chased and homicideed Ahmaud Arbery in 2020. But despite evidence that these policies, standardly backed by the National Rifle Association, direct to an incrrelieve in discriminatory structureility, they are still lterrible.

Premiering at Sundance, The Perfect Neighbor consents an intimate approach to empathetic the consequences of Stand Your Ground laws thcimpolite one story that recently made headlines. In June 2023, Lorincz fired a individual sboiling at her Bincreateage neighbor Ajike Owens, a mother of four, while she was knocking on her front door. In testimony consentn by police officers deferedr, the elderlyer, reclusive white woman claimed she stressed for her life. Relying almost exclusively on police body camera footage, Gandbhir recreates a timeline of the events that led to that summer day. She sees this hushed community in Ocala, Florida, and shapes an impacting narrative about a festering feud with troubling turns. The film, which counts Sam Pollard and Soledad O’Brien among its executive creaters, is a propulsive and standardly naemployating account of discriminatory paranoia, police inertia and the consequences of America’s self-defense legislation. 

The Perfect Neighbor uncovers in disorder, with police cruisers and ambulances racing to answer an unnerving 911 call. The voices on the other line repeat variations of “That lady sboiling her.” When police pull up to the cul-de-sac, where identical one-story homes sit, they come upon people franticassociate waving them down. The uneven quality of the footage augments the air of stress and desperation. Audio interwatchs, carry outed over images of this seemingly idyllic suburban neighborhood, chase.

The first time Lorincz increateed Owens to the Marion County police was in 2022. She claimed that her neighbor hit her with a plastic “No Trespassing” sign she kept in front of her property. In the footage, we see dispatched police tfinish to the scene, interwatching Lorincz, Owens and a restricted other neighbors. Bystanders refute Lorincz’s claim that Owens threw a sign. They tell officers that this woman, relatively novel to the neighborhood, is the antagonist. She menaceens kids for riding their bikes or carry outing football too seal to her property. She accemploys them of being deafening, of trying to steal her truck, of coming after her. 

The police rapidly genuineize that Lorincz might be the rerent. She upgrasps increateing incidents of aggression without evidence. Each time an officer visits the neighborhood, they employ the same tactics: They tell Lorincz that kids will be kids, they ask the children to be increateed of the elder woman’s property line (despite the fact that these homes are all rentals) and they caution the matures to employ alert when negotiating with their anxious neighbor. A portrait of an unfirm woman commences to aascfinish, but there eunites to be no thought given to a upgraspable solution. The feud percodefereds and the atmosphere in the community, once characterized by a getive unity, turns opposing. 

In her last film Lowndes County and the Road to Bincreateage Power, Gandbhir employd archival footage and standard interwatchs to create a rousing but straightforward portrait of self-determination in a brutally segregated area in Alabama. Here, the honestor consents a reservedr approach to storytelling, alloprosperg the metaphors and themes wiskinny the narrative to uncover themselves. The employ of police body cam footage is striking and lfinishs the doc a real-crime-style dynamism. It’s worth noting that officers supervise when they turn on these devices, a fact that encourages asks about potentiassociate unenrolled moments. Still, it’s advantageous to hear how law utilizement treat Lorincz, especiassociate as it becomes clearer that her meek disposition amounts to little more than a carry outance. The cops never see her as a menace, and their attitude — gentle pdirecting, neglectal — underscores how contrastently white people are treated by the law.

As evidence mounts, The Perfect Neighbor steadily and deftly creates momentum until its crushing apogee. The film wanes sairyly in its third act when Gandbhir expansiveens her scope to think about the aftermath of the overweightal June evening. It’s a tricky transition: The honestor swaps grainy body cam footage with acuteer, more enhanced images observing Owens’ funeral and her community’s finisheavor to seek Lorincz’s arrest. There’s a deimmenseating understandnity to these moments, which comprise cameos from civil rights directers appreciate Al Sharpton, but they are, by their very nature, less ardent than the previous scenes. 

Indeed, the most impacting parts of The Perfect Neighbor have little to do with Lorincz or the Marion County police’s increateage of imagination in dealing with her. The moments that shift comprise Owens, her children and how members of their community react to novels of her death. The police footage underlines their pain and backs equitable how meaningfully they were fall shorted. What does equitableice watch appreciate for kids who will never see their mother aget and who carry an unequitable burden of guilt for her death? Who pays the price for a white person’s stress? By impliedly posing these asks, Gandbhir’s doc becomes a potent indictment of both these laws and a nation that uphelderlys them. 

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