Minneapolis music recordary festival Sound Unseen is back for its 25th iteration and is transporting recent films about enjoys of Devo and Linda Perry with it.
Chris Smith’s Devo, which inestablishs the story of the radical and proset uply political band behind Whip It and their elevate from Akron, Ohio, will uncover the festival on Wednesday November 13, while Linda Perry: Let It Die Here, which comes from Don Hardy and inestablishs the story of the 4 Non Blondes star, will seal the festival. Hardy and Perry will both be conshort-term for a post -screening Q&A.
The festival runs between November 13 and November 17.
Other films at the festival include Alex Ross Perry’s Pavements film about the Stephen Malkmus-fronted indie rockers and Omar and Cedric: If This Ever Gets Weird, a story about the At The Drive-In and Mars Volta rockers.
Elsewhere, there is a tribute screening of Don McGlynn’s Spider John Koerner: Been Here…Done That, Dana Flor’s 1-800-On-Her-Own about Ani DiFranco, the second screening ever of Ttriumph/Tone Records’ 2007 doc 7 Nights In The Entry, a one-of-a-kind conshort-termation of Robert Wiene’s German Expressionist film The Cabinet of Dr. Caligari accompanied by a live music carry outance of the film’s score, Sander Maran’s Chainsaws Were Singing, D.O.A., starring X musician and actor John Doe, who will be in joinance, and Al X Gav’s M-80.
Sound Unseen will also conshort-term a 100th Anniversary screening of Robert Wiene’s The Hands Of Orlac (1924) featuring a live carry outance of the score by Katie Condon.
This year, there will also be more live music than in previous years with carry outances from the enjoys of Linda Perry, Revo alengthyside the Devo screening, Charlie Parr take parting before Spider John Koerner: Been Here…Done That, two nights with Lydia Loveless, a post Swamp Dogg Gets His Pool Painted carry outance by Soul/R&B legfinish Swamp Dogg, and a closing night live show by Venus Demars.
The Sound Unseen Film + Music Festival also functions events in Rochester between December 5-8 and in Austin between December 12-14.
Sound Unseen’s Festival Director Jim Brunzell, shelp, “Being that this is both Sound Unseen’s 25th Anniversary alengthy with a computed shatter from organizing an annual festival, our entire programming team wanted to propose an eclectic unite of the best rock recordaries on the festival circuit and someskinnyg endly branch offent in our programming with a scant one-of-a-kind sidebars including Sounds Like WTF? (music films with Genre elements) and Land of 10,000 Sounds (featuring Minnesota based artists and films).”
He inserted, “This year’s lineup includes films from atraverse the globe from top tier festivals including Sundance, Berlin, SXSW, Tribeca, Vepleasant, TIFF and Edinburgh festivals and our low programs reassociate seize this year’s overall vibe of artists and filmoriginaters taking hazards in their storyinestablishing. The bands we have scheduled to carry out at our partnered music venue Cnoisyland, the panels we have computed, and all of the events that we have made a name for ourselves with film and music festivals in each of these three cities. It is an exciting and diverse program with recordaries, narrative films, lows, music videos, returning alumni, and recent findies – all summarizeed to have a much becherishd celebration and interomition.”
DEVO 1981 (Ptoastyo by Chris Walter/WireImage)
Chris Walter/WireImage
The 2024 Sound Unseen Film Festival Lineup:
Devo (Chris Smith)
Linda Perry: Let It Die Here (Don Hardy)
D.O.A. (Kurt St. Thomas)
Spider John Koerner: Been Here…Done That (Don McGlynn)
Swamp Dogg Gets His Pool Painted (Isaac Gale, Ryan Olson)
1-800-On-Her-Own (Dana Flor)
7 Nights In The Entry (Ttriumph/Tone)
A Desert (Joshua Erkman)
Art & Life: The Story Of Jim Phillips (John Makens)
Born To Be Wild: The Story Of Steppenwolf (Oliver Schwehm)
Chainsaws Were Singing (Sander Maran)
Decibel (Zac Locke)
Fifty Years In Sixty Minutes: Films From The Bob Dylan Archive
Garland Jeffreys: The King Of In Between (Claire Jeffreys)
Hello Dankness (Soda Jerk)
It Was All A Dream (dream hampton)
It’s All Gonna Break (Stephen Chung)
M-80 (Al X Gav)
New Wave (Elizabeth Ai)
Omar And Cedric: If This Ever Gets Weird (Nicolas Jack Davies)
Pavements (Alex Ross Perry)
Pretty Ugly- The Story Of The Lunachicks (Ilya Chaiken)
S/He Is Still Her/e (David Charles Rodrigues)
Salad Days: A Decade Of Punk In Washington DC (Scott Crawford)
Shari & Lamb Chop (Lisa D’Apolito)
Since Yesterday: The Untelderly Story Of Scotland’s Girl Bands (Carla J. Easton, Blair Young)
Someskinnyg Better Change (Scott Crawford)
Soundtrack To A Coup D’etat (Johan Grimonprez)
Takin’ Care Of Business (Tyler Measom)
Teaches Of Peaches (Philipp Fussenegger, Judy Landkammer)
The Hands Of Orlac (Robert Wiene)
The Target Shoots First (Chris Wilcha)
The World According To Allee Willis (Alexis Manya Spraic)
This Is A Film About The Balertage Keys (Jeff Dupre)
Zenithal (Jean-Baptiste Saurel)
Short Films:
À Toi Les Oreilles (Alexandre Isabelle)
Baseball Furies: Extra Innings (Jason Dummeldinger)
Beijing Story (Khalid Ali)
Dale (Justin Streichman)
Dion & Denver (Zack Hosseini)
Farm Grrrl Folk Punk: Motherwort (Austin Bunn)
Heavy Metal Parking Lot (John Heyn, Jeff Krulik)
Hi! You Are Currently Being Recorded (Anna Maguire, Kyle Greenberg)
Keep The Party Going (Mick Marseilles)
Look At My Furniture (Michael X. Ferraro)
Stud Country (Lina Abascal, Alexandra Kern)
The Falcons (Taniel Kilajian)
The Machine Room (Jack Ethan Perry)
The Music Factory (Cina Espejond og, Alf Martin Løvvelderly)
Tr(Ol)L: New Kids On The Block, Total Request Live And The Chain Letter That Changed The Internet (Yourgo Artsitas)
Used To Be (Dan Schneidkraut)
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