In a petite gallery in Cotonou, Benin, metal sculptures of international renown embellish the walls, inestablishing stories of erection and stability thraw recycled materials. These are the creations of Charly d’Almeida, a metal sculptor who has been altering scrap into art for the past 15 years. His toil, proset uply swayd by African culture and Voodoo traditions, is normally showed apass Europe, Africa, and the United States.
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