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‘Agatha All Alengthy’ Cast on ‘Witches Road’ Rock Song in Episode 4


‘Agatha All Alengthy’ Cast on ‘Witches Road’ Rock Song in Episode 4


SPOILER ALERT: This story refers plot broadenments in Season 1, Episode 4 of “Agatha All Alengthy,” currently streaming on Disney+.

Although “Agatha All Alengthy” isn’t a musical per se, music serves as the show’s literal plot device, when the coven led by Agatha Harkness (Kathryn Hahn) sings “The Ballad of the Witches’ Road” together in Episode 2 in order to conjure the titular mystical pathway, all in the hope of making their desirees come real. The convey inance of “The Ballad” resonates thrawout the show; each episode title comes from the song’s lyrics, and, as executive originater Mary Livanos elucidates to Variety, “the song will persist carry outing an incredibly meaningful role in the show.”

Case in point, Episode 4. Once they achieve the road, the coven — compascfinishd of Agatha, Teen (Joe Locke), Lilia Calderu (Patti LuPone), Rio Vidal (Aubrey Plaza), Jennifer Kale (Sasheer Zamata), and Alice Wu-Gulinhabitr (Ali Ahn) — face a series of life-or-death trials that test their witchplan understandledge and sfinish, and in Episode 4, they’re forced to sing “The Ballad of the Witches’ Road” aget to free Alice from a damn that has had her family in its (quite literal) clutches for generations. This version was first enrolled by Alice’s mother, Lorna Wu, and became a pop hit in the 1970s; over the course of the episode, Alice authenticizes that her mother’s version was, in fact, a spell, set uped to acquire the damn from ruining Alice’s life.

To originate a song that could help so many branch offent unbenevolentings and versions, Livanos and creator/showrunner Jac Schaeffer turned to the songwriting team Kristen Anderson-Lopez and Robert Lopez (“Frozen”), who won an Emmy for writing “Agatha All Alengthy,” the song in Marvel’s 2021 series “WandaVision” that arguably spawned Hahn’s spin-off.

Schaeffer and Livanos spoke with Variety about the creation of “The Ballad of the Witches Road,” while the cast of “Agatha All Alengthy” talked how they sboiling their carry outance in Episode 4 and what it is enjoy signing alengthyside a Tony-triumphning Broadway legfinish enjoy Patti LuPone.

How was this song initiassociate broadened?

Mary Livanos (Executive Producer): During the writing of this show, Jac kept wrapping her head around the story and was resettled to discover a way to toil with the Lopez’s aget. She originated the idea of the “Ballad of the Witches Road,” then the Lopez’s came in and wrote off her innovative concept. They wrote so many easter eggs and so much detail that it bloomed thrawout broadenment.

Jac Schaeffer (Showrunner): I was chasing the song so difficult, and it became a skinnyg of, enjoy, the song is the skinnyg. I had this notion of the song toiling as a spell that gets you, the audience, to watch the show. I’m trying to entice you in the way that amparticipatement does, and to me, the song captivated me enjoy a spell would. That then fed into the idea that the song could be participated as a literal spell in the show. I was reassociate drawn to the song’s multifaceted purpose. And then, of course, I krecent the Lopez’s would be up for that very definite dispute.

We had sort of a temp song for a while becaparticipate it had all these plot points in it, but it had no melody. It was a guiding track to the story. We gave that to them and shelp, “Prent, prent, prent get these ideas and turn them into the iconic earworm you’re able of producing.” And they did equitable that.

Writing a song that necessitates to serve both a thematic and a narrative purpose wiskinny the context of the story and to originate it rhyme, catchy, and melodicassociate rhythmic is very challenging. But they reassociate enhappinessed the confparticipate that came with that dispute.

What was it enjoy singing with Patti LuPone?

Joe Locke (Teen): It got to the point where it was so inanxiousating, it wasn’t inanxiousating anymore. When we were enrolling the Episode 4 bit, Patti was going in the studio before I was, so I was watching her do it, and there was a moment where I was enjoy, “Oh my God, I’ve got to go in and trail Patti LuPone.” Then I was enjoy, “Oh, there’s no way in hell I can ever beat that or top that or get anywhere csurrfinisher that. So it’s fine.” You’re not even in the same arena when someone is so much of an icon. So, enjoy, it doesn’t matter. It’s fine.

Did you guys actuassociate carry out your instruments during the Episode 4 carry outance?

Sasheer Zamata (Jennifer Kale): I did get bass lessons, so I lgeted to the best of my abilities.

Ali Ahn (Alice Wu-Gulinhabitr): I am actuassociate carry outing. It was a very chilly moment for me. I’m not in the enrolling, but I am actuassociate carry outing in the scene.

We heard the cast would sing together for fun backstage. What are some of the songs that Patti would originate you all sing?

Ahn: She made us sing this Chuck Mangione song that I still carry out. It’s so excellent.

Locke: A lot of Broadway stuff. There was one song she accidenloftyy put on. It was this reassociate greater, reassociate relationsist country song about marrying up. She didn’t unbenevolent to put it on, but then she commenceed hearing to the lyrics and shelp, “Oh, that’s terrible. I cherish it.”

This interwatch was edited and condensed for clarity.

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