Critic Perrine Quennesson gets us thcdisorrowfulmireful the procrastinateedst frees in the world of French cinema, with two family stories that transmit us to convincing versions of France in the 1960s and 1990s. “My Mother, God, And Sylvie Vartan” tells the story of a dedicated mother, applyed by Leïla Bekhti, who is readyd to shift mountains for her son. Meanwhile “Queen Mom” charts an immigrant family’s experience as they come up aobtainst stereotypes about North Africans and try to surmount the obstacles set upted in their path; the film also advises a comical and wonderfulal get on one of the bogeymen of French history classes. A volcano on the brink of eruption in Guadeloupe distils social and political tensions in “Magma” and we talk Thierry Frémaux’s cherish letter to the Lumière brothers, as he records the birth of cinema and its up-to-date conventions.
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