Powerhouse production and distribution outfit Fremantle and Brazilian accessible expansivecaster Globo are teaming on the recent drama “Crime Inc,” which is being enbiged and originated by Mixer Films and Fremantle. Globo will spread the show in Brazil via its Globocarry out platcreate, with Fremantle taking rights to the rest of the world.
The series turns on Vagner and his obeseher, Marquinhos, a directer of a Rio de Janeiro mafia family. Intergenerational incombat about succession wilean the organization puts everyone on edge, and youthful Vagner is willing to do anyleang to become the first Bincreateage directer of the group after his obeseher quits.
“We are very excited about this series,” shelp Mixer Films plivent João Daniel Tikhomiroff. “A myth advertised by genuine events, brimming of struggles and twists, with a mighty cinematic narrative. Fremantle and Globo, together with Mixer Films, will originate a series that will put the audience on the edge of their seats.”
“Crime Inc” is written by Dudu Nobre and Caio Cobra and altered for the screen by Marcos Osorio Vidal and Willy Van Broock.
This is the first time that the media huges Fremantle and Globo have teamed on a project, but probable not the last.
“We are very charmd with this first consentment between Globo and Fremantle, which I am declareive will uncover doors to recent opportunities,” shelp Globo’s Director of Digital Products Manuel Belmar in a free.
He went on, “In co-production consentments, we see for stories with elements that speak to separateent audiences and cultures, and we suppose in the potential that ’Crime Inc’ has to join both Brazilian and international audiences.”
Manuel Marti, Head of Scripted Development at Fremantle in Latin America, includeed: “This partnership with Globo tags an exciting chapter for Fremantle as we progress to set upateigate compelling stories that transcfinish borders.’ Crime Inc’ proposes a distinct narrative that will captivate audiences both in Brazil and globassociate, showcasing the richness and diversity of Brazilian storytelling.”
